Images at Librifly

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Design for a Decorative Panel, John La Farge, American, 1835–1910, Graphite and watercolor on paper, Horizontal panel with a curved frame on a blue ground setting off a smaller green and blue-black panel. Verso: graphite sketch of a similar

Design for a Decorative Panel, John La Farge, American, 1835–1910, Graphite and watercolor on paper, Horiztonal panel showing a scallop shell on a red ground, within a floral wreath. Flower rosettes at the outer corners. Verso: graphite

Decoration detail of a coach, Brush and gray watercolor, pen and ink, black chalk on paper., Vertical drawing of a flying genius opens a curtain. A part of a bracket is above at left., Europe and USA, Italy, 1650–75, transportation,

Bust Portrait of a Classical Woman, Giuseppe Bernardino Bison, Italian, 1762 - 1844, Pen, ink, grey watercolor, sepia, and brush on paper, A profile bust of a woman with her hair styled classically within an oval niche., Italy, late 18th

Design for a Brooch, Pen and sepia ink, brush and olive watercolor on paper, Jewelry design for a brooch. A flower branch with an interlaced ribbon. A big blossom is at right, smaller blossoms on vine at upper and lower left., Italy, mid- 18th

Design for a Pin, George E Germer, 1868 – 1936, Graphite, brush and white gouache, brush and brown watercolor on cardboard, Bordering lines as 1939-84-20. Head of a pin, with an ovoidal stone in an escutcheon., USA, 1910–1920, Projects

Project for an Overdoor, Pencil, pen, brush and sepia, watercolor on paper, Horizontal rectangle framing an oval landscape. In the center, above, Leda with the swan after Michelangelo; at left, the eagle of Zeus received by a nude woman; at

Project for a Fountain, Mario Asprucci The Younger, Italian, 1764 – 1804, Pen and black ink, brush and watercolor, graphite on paper, lined, Elevation and plan of a large scale horizontal structure, an elaborate fountain. The upper portion

Green River, Wyoming Territory, Thomas Moran, American, b. Britain, 1837–1926, Brush and watercolor, white gouache, graphite on tan wove paper, Landscape viewed horizontally across a body of water with a rocky mesa at right center.

Sample sheet, Medium: paper and wool Technique: fulled plain weave, Sheet of paper pasted with a double row of twelve samples of fulled woolen cloth in greens, reds, purples, blue, black, and white. Crudely drawn floral border of brown ink,

Design for a Woven Fabric, Unfinished, Brush and white, blue gouache, brish and watercolor on black paper, Neo-rococo escutcheon with flowers, a shell, a satyr gaine with a pitcher from which water flows., France, 1815–1840, Drawing,

The Fire of Joy, Hand-colored etching with watercolor and gold on paper, Young men and women in varied costume hold hands and dance with their backs to a fire which is tended by others at right. In landscape with tree and houses., France, ca.

Competition Design for La Fenice, Venice: Ground Plan, Pen and black ink, brush and gray wash, watercolor on two sheets of white laid paper, laid down on blue paper with added border of blue paper, Ground plan of the theatre: horse-shoe shaped

Costume Design: Ziegfeld Follies of 1922, Charles LeMaire, American, 1897–1985, Brush and watercolor, silver paint, graphite on paper, Vertical rectangle. Woman standing in left profile, tall headdress of colors flowers, wearing

Design for a Silk Brocade, Brush and watercolor, gouache, graphite on paper, Rising flower twigs form irregular ovoids and lozenges by being fastened together by branches upon which pairs of doves stand, by a laurel wreath with a card, and by

Laban reproves Jacob for leaving secretely, Gerard Jean Baptiste Scotin, the Younger, 1698–after 1744, Hand-colored etching with watercolor on paper, Left side of a panel. The two men are at right, under a tree. At left are four men, three

Costume Design: Carnation Girls, Midnight Frolic, for Ziegfeld Follies, Charles LeMaire, American, 1897–1985, Brush and watercolor, crayon, graphite on paper, Vertical rectangle. Standing woman wearing elaborately ruffled costume; ruffles

Hearing, Hand-colored etching with watercolor and gold on paper, A woman plays the flute, while a woman with a music book listens. Musical instruments at their feet. Trees and a domed building in the background. Narrow border of musical

Project for an Elevation of Garden Architecture (Entrance to a Villa or Garden), Pen and brown ink, brush and watercolor, black chalk on white paper, Design for a garden pavilion or decorative wall. A wall with an arched opening at the center. It

Print, Alexis Peyrotte, French, 1699–1769, Hand-colored etching with watercolor on paper, A man helps a woman rise, taking her hands. beneath a large tree on a knoll. Trees in background., France, ca. 1750, ornament, Print

Elevation and Cross-Section of an Opera House, Pen and ink, brush and watercolor, graphite on paper, Side elevation, above, of a large and elaborate design for an opera house. Below, a section through the same area, revealing the foyer and

Design for a Candlestick, Joseph Anton Seethaler II, German, 1799–1868, Pen and ink, brush and watercolor, graphite on paper, Octagonal base and pedestal showing a woman on a sphere and ornamented candelabra. The shape is formed by a vase

Study of Wisteria Foliage, Sophia L. Crownfield, (American, 1862–1929), Brush and watercolor on white tissue paper, Horizontal sheet depicting a single branch of wisteria drawn diagonally across the sheet., USA, early 20th century, nature

Altar Dedicated to a Virgin Martyr [St. Lucy?], Pen and black ink, brush and watercolor, over black chalk; ruled border in pen and black ink, pink wash on thick paper, joined at center, Design for an altar. The sepulcher has the shape of the

Design for Pitcher and Basin, Pen and black ink, brush and watercolor, graphite and black chalk on paper, A pitcher in the shape of a pilgrim's flask with small, knob handles occupies the upper half of the sheet. The vessel has a peacock-blue

Top Part of an Ornamental Panel, Brush and watercolor on paper, mounted, In the left foreground is a tree whose leafy branchces extend to the right top corner. Bottom center: top of a crest. Farhter back part of a castle with towers and a bridge.

Esther before Ahasverus, Brush and watercolor on paper, mounted, Ahasverus rises from his throne, at left, to extend his scepter to Estcher who is fainting and supported by women. A guard with a spear and an old man are by the throne. Trees at

Project for an Alter Lamp, Graphite, pen and ink, brush and watercolor on paper, Design for a lamp intended to be executed in silver with a relief of St. John the Baptist and a statuette os St. Marguerite., Italy and Germany, mid- 18th century,

Decoration of a Wall as a Picture Gallery, Pen and black ink, brush and watercolor, graphite on paper, Design for a wall. The door is located near the left edge. It has a molded frame in marble color. Below, the wall has a dado, above an

Costume Design: Night Light, for Ziegfeld Follies of 1920, Charles LeMaire, American, 1897–1985, Brush and watercolor, graphite on heavy paper, Vertical format. Figure of a woman standing in left profile wearing a tall peaked cone-shaped

America, Alexis Peyrotte, French, 1699–1769, Hand-colored etching with watercolor on paper, America, a woman with feather headdress, bow, arrow and quiver is seated on a crocodile, at left. At right is an Indian with a bow, kneeling and

The Curiosity of the Chinese, Hand colored etching with watercolor and gold on paper, A woman holds a small child up to look into a peepshow operated by a man in plumed hat. A seated woman plays a lute, at right. Two other children at left,

Insect Daimyo Procession, Brush and watercolor on silk with brocaded silk border, mounted on paper, Behind a flowering branch, growing obliquely in the upper right corner, a procession of insects moves across the panel, going toward the left.

Project for an Alter, Black chalk, pen and ink, brush and watercolor on paper, Elevation of an alter under an arch. At top, a broken pediment with a figural group on a cloud. Below, two angels frame a blank oval. Below, a vertical rectangle is

Mackerel Cove, William Trost Richards, American, 1833–1905, Pen and black ink, brush and watercolor, gouache, crayon, traces of graphite on heavy gray wove paper, At the left, a rugged, rocky hillside, studded with pine trees, slopes

Design for a Park Colonnade, Josef Georg Kornhäusel, Austrian, 1782 - 1860, Brush and watercolor and gouache, pen and black ink, graphite on rough blue paper, Architectural design for a park colonnade. The central part consists of four fluted

Design for a Painted Porcelain Salad Bowl, Brush and black ink, watercolor, black chalk on cream laid paper, View of decagonal salad bowl (after a silver form) in elevation (above) and plan (below) with scattered floral sprays. View of bowl in

Section of an Ornamental Panel, Brush and watercolor on paper, To be continued at top and bottom. Beneath an arch composed of scroll and plant motifs with a Chinese mast at top center are trellis arcades, trees, and flying birds. A candle bracket

Esther before Ahasverus, Brush and watercolor on paper, mounted, Ahasverus rises from his throne at left to extend his scepter to Estcherm who is fainting and supported by women. A guard with a spear and an old man are by the throne. Trees at

Design for a fire house: front elevation, Pen and ink, brush and watercolor on paper, Front elevation of a narrow three storey structure, flanked by two residences of the same height. Designed to house an engine company, it has two large

Doorway, Loggia, Ground Floor, Villa Albani, Rome, Italy, Carlo Marchionni, Italian, 1702–1786, Graphite, pen and sepia ink, brush and gray watercolor on brown-gray paper, The door case has laterally fluted pillars, tapered towards the

Project for an Alter, Graphite, pen and ink, brush and watercolor on paper, varnished, The mensa is draped with festoons and is supported by two flying angels. In front of the sepulcher are three balls in a glory of rays. A cherub below. The

Smel, from 'Senses', Brush and watercolor, gold on paper, Printed from two plates. A man offers a basket of flowers to a woman. At left are a shepherdess and a sheep. Narrow border of flowers and rocaille. Bottom: 'ODOR' 'OLDER'. The same outer

Touch, from 'Senses', Brush and watercolor, gold on paper, A kneeling man kisses the hand of a woman who is seated on rocks in landscape. Ata left, a vase of flowers on a console forms part of the narrow border of flowers, grapes, and

Apollo in his Chariot Transforms Night into Day, Jean-Baptiste Marie Huet, (French, 1745–1811), Oberkampf & Cie., (Jouy-en-Josas, France, 1759–1815), Pen and brown (bistre) ink, brush and gray wash, pale orange watercolor, black chalk

Sea Girt, New Jersey, Samuel Colman, American, 1832–1920, Pen and black ink, brush and yellow, brown, and blue watercolor, white gouache, traces of graphite on tan paper, Horizonal view of a deserted beach divided by a framing pen line

Exedra in a Park Dedicated to the Virtues and Human Activities, Pen and black and brown ink, brush and watercolor on paper, lined, A rendering of garden architecture. In groupings, in front of the ends of the exedra are, at left, a seated

Design for a Fountain, Giuseppe Barberi, Italian, 1746–1809, Black crayon, brush and sepia, grey, blue, black watercolor, on off-white laid paper, A wide basin is shown superimposed over a landscape view of rugged countryside below slight

The Sense of Smell, François-Thomas Mondon, French, ca. 1709 – 1755, Etching, brush and watercolor on paper, At left a woman and a kneeling man are amelling flowers taken from a basket which he holds. A shepherdess stands at right,

Design for a Chandelier, Pen and brown ink, brush and watercolor, green wash on paper, Vertical rectangle. Design for a chandelier made up of four sections. Above, suspended on a vine branch with stick, two vases, alternative suggestions,

Study for Inspiration Point, Riverside Drive, New York City, Graphite, pen and black ink, brush and yellow watercolor, white heightening on gray cardboard, Drawing divided into two sections. Upper section depicts the drive along the Hudson

Elevation View of a Locomotive, First Prize Drawing, Brush and watercolor and gouache, pen and black ink on off-white wove paper, Side elevation of a locomotive facing right., New York, New York, USA, 1888, transportation, Drawing,

Design of a Vase, Joseph Anton Seethaler II, German, 1799–1868, Pen and ink, brush and watercolor, graphite on paper, A vase is supported by the bottom parts of the birds. Sea sphinxes crouch upon it and support another base shaped as a

Costume Design: Fairbanks Twins, for Ziegfeld Follies of 1920, Charles LeMaire, American, 1897–1985, Brush and watercolor, gold and silver paint, graphite on heavy paper, Vertical rectangle. Woman standing against yellow rectangular

The Vow of Jephthah, Gerard Jean Baptiste Scotin, the Younger, 1698–after 1744, Hand-colored etching with watercolor on paper, Right portion of panel. Shows Jephthah standing with his eyes uplifted and one hand stretched out, among other men

The Sense of Taste, François-Thomas Mondon, French, ca. 1709 – 1755, Brush and watercolor on paper, mounted, At left a man on a ladder gathers grapes which he hands to a woman carrying grapes in her apron. Seated at right are a man and a

Study of Amaryllises, Sophia L. Crownfield, (American, 1862–1929), Pen and ink, brush and watercolor, graphite on tracing paper, Vertical sheet depicting two sprays of amaryllis with foliage, outlined in graphite and brush and ink. The

Breakfast, Brush and watercolor, gold on paper, mounted on heavy paper, Printed from two plates. A Chinese man, seated in a garden, takes a decanter from a tray held by a boy. Masonry with arch in the background. Two large birds. Bottom: 'EL

Monument of the soldiers, sailors and marines, Pen, brush and black ink, brush and watercolor, wash on paper, Plan of a monument. In upper margin: COMPETITION FOR A MONUMENT IN / HONOR OF THE SOLDIERS SAILORS AND / MARINES WHO SERVED IN THE WAR

After Dinner Refreshment, Brush and watercolor, gold on paper, Printed from two plates. A woman and a man holding a goblet and a decanter. She holds a spear; a gun is at his feet. Two dogs, a dead bird at right. Beside a waterfall in a wood.

Wall Elevation, Alexander Palace, Tsarkoie-Selo, Russia, Pen and black ink, brush and watercolor on paper, Elevation of a wall. Horizontal composition in which two pairs of embedded columns flank a low and narrow door. Wall panels with arched,

Taste, from 'Senses', Brush and watercolor, gold on paper, Printed from two plates. A man offers a peach to a woman who holds grapes and other fruit in landscape. Narrow border of rocaille motifs. Bottom: 'GUSTUS' 'GUSTAR'. Wide outer borders of

Morning, Brush and watercolor, gold on paper, printed from two plates. A woman sits at a dressing table. Two men are beside and behind it. At right is a railing on which a vase of flowers stands. Trees in background. Bottom: 'LA MANANA' 'LE

Project for the Elevation of a Villa, Paolo Posi, Italian, 1708 - 1776, Pen and brown ink; brush and gray wash and watercolor on off white laid paper., Elevation view of a four storied villa with a central curved porch at front that extends

Design for a Fountain, Pen and gray ink, brush and watercolor, traces of graphite on off-white laid paper, Fountain set in a landscape. A shallow basin with dolphins is supported by sphinxes with fishtail legs. Water flows into a larger basin.

Bird Hunt, Jean-Baptiste Scotin I, 1678 – after 1738, Engraving with etching with some green and blue watercolor washes on paper, A young man standing at left takes aim at a flock of birds at right. A boy holding dogs and a decoy stand beside

Scepter for Papal Ceremonies, Pen and ink, brush and watercolor on paper, Cross-shaped scepter. At top, a shield with the papal coat-of-arms supported by two angels. At center, a larger shield and two figures of Henyth and Vigilance., Italy and

Design for a Painted or Woven Fabric, Pen and ink, brush and watercolor on paper, All-over pattern of flowers, leaves, and seed pods, none of which can be identified specifically., France, ca. 1770, Drawing, Drawing

Forgiveness, Brush and watercolor, gold on paper, mounted, Printed from two plates. Two duellers embrace. The sword of the one at right lies on the ground. A boy flees to the right. In an open landscape, with a few trees at left. Narrow border

Design for a Setting of the Exhibition of the Host, Black chalk, brush and gray and black watercolor on laid paper, Vertical rectangle. Eleven steps lead to the apse. It is alternatively suggested to divide them with three separate flights. A

Calenfells Castle, near Kirn, Germany, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, graphite on paper, Sketch of landscape with ruins., Kirn, Germany, ca. 1856, landscapes, Drawing, Drawing

Rendering of the Grand Gallery of Honor, Palazzo Paz, Buenos Aires, Argentina, Unknown, Pen and black ink, brush and watercolor, gouache, graphite, charcoal on cream wove paper, An elegantly furnished circular salon interior with a

Stage Design: Architectural Capriccio with a Tempietto and Broken Columns, Pen and black, brown ink, brush and gray wash, pink, yellow watercolor, graphite on thick white laid paper, Horizontal drawing of a stage design. In the middle a domed

Design for a Tureen, Pen and brown ink, brush and watercolor, The bowl-shaped vessel is supported on high legs with repeating leaf decoration and paw feet. A band about the body of the vessel shows a mask separating alternate schemes of leaf or

Study of Love-in-a-mist, Sophia L. Crownfield, (American, 1862–1929), Brush and watercolor on white paper, Vertical sheet depicting six stalks of love-in-a-mist with in blue blossoms., USA, late 19th century, nature studies, Drawing,

Wall Elevation for a Salon with Mantelpiece, Pen and black ink, brush and rose and blue watercolor on paper, A mantelpiece is flanked by two closed folding doors. A combination time piece and candle bracket stands on the mantel. A girl and a child

Color Scheme for Temple Israel, Brooklyn, NY, Leon Dabo, American, 1868–1960, Brush and watercolor, gouache, graphite on paper, View of temple interior in a Byzantine style with indication of colored marbles and mosaic decoration of a

Preparatory Design for Si, Watercolor, gouache, over etching, Thick white laid paper, Lyon, France, France, 1710–30, textile designs, Drawing, Drawing

Project for a Fountain in a Park, Black crayon, pen and ink, brush and sepia, watercolor on paper, A tall column crowned by an allegorical figure (Astronomy?). At its base, upon rocky stones sit two figures (Hephaestus and Venus?). Along the

Preparatory Design for Silk Brocade, Claude Serancourt, 1677 – 1756, Watercolor and gouache over etching on white laid paper, Obliquely directed lattice with flowers against a background of rows of small flower twigs. One large red flower with

Project for the high altar in San Salvatore in Campo in Rome, Giuseppe Subleyras, Italian, 1745 – 1819, Pencil, pen, washes, chinese black, and various watercolor washes on paper, Vertical composition divided into two sections. The top

The Salutation at the Masquerade, Edouard de Beaumont, French, 1821 - 1888, Pen and ink, brush and watercolor on bristol board, Vertical rectangle. Two figures engaged in conversation. Woman at right in a hat with red and green trimming,

Plate Design with Pair of Exotic Birds on a Blossoming Branch, Amédée de Caranza, active Longwy and Bordeaux, ca. 1867 – 1885, Vieillard & Cie., active Bordeaux, France 1845 – ca. 1895, Brush and gouache, watercolor, graphite on heavy

Stage Design: A Royal Palace at the Seaside, Giuseppe Galli Bibiena, Italian, 1696–1756, Pen and ink, brush and gray watercolor, graphite on paper, Horizontal format stage design. At right is a corner of the central part. A paved road is

Competition Design for La Fenice, Venice: Plan of Upper Floor of the Theater, Pen and black ink, brush and gray wash, watercolor, graphite on two sheets of white laid paper joined at center, laid down on blue paper with added border of blue

Study of Pale Pink Peonies, Sophia L. Crownfield, (American, 1862–1929), Brush and watercolor, graphite on gray paper, Horizontal sheet depicting two peony blossoms in pink. Left blossom is depicted with a green stem., USA, early 20th

Print, Hand-colored etching with watercolor on paper, At top and sides is a border composed of scrolls, flowers, birds, and a Chinese mask flanked by dragons at top center. Inside is an arch composed of lattice work scrolls on which grape vines

Europe, Alexis Peyrotte, French, 1699–1769, Brush and watercolor on paper, mounted, EUROPE, a helmeted woman, with a scepter and a shield, bearing three fleurs-de-lys, is seated on a crouching horse before a pyramid. At left a kneeling

Rendering of the Crossing of the Cathedral of St. John the Divine, New York, NY, Brush and watercolor, pen and black ink, color chalk, graphite on brown paper, Perspective rendering of the crossing of the Cathedral of St. John the Divine in

Design for a Fan, Anna M. de Pool, Pencil, watercolor, and gold on paper. Red seal., Horizontal rectangle. A stylized scroll pattern composed of leaves and grapes. The border has a formal leaf design, in gold., USA, 1894, costume &

Gathering grapes, Alexis Peyrotte, French, 1699–1769, Hand-colored etching with watercolor on paper, Boys and girls engaged in gathering grapes into baskets and in love-making. A couple and a girl under a tree in the foreground; others in a

Study of Peonies, Sophia L. Crownfield, (American, 1862–1929), Pen and ink, graphite, brush and watercolor on tracing paper, Horizontal sheet depicting studies of peonies in graphite, some with gouache coloring on petals., USA, early 20th

Design with Overlay for Portion of Stairway in Château-sur-Mer, Newport, Rhode Island, Charles Salagnad, French, Brush and ink and watercolor on paper, Paris, France, 1872, architecture, interiors, Drawing, Drawing

Wall Decoration for the Drawing Room of the Palace of Caserta, Nicola Fiore, Pen and black ink, brush and gouache, watercolor on off-white laid paper, Divided into three panels. In front of the dado of the central panel is a console table. Above

Stage Design, Fantasy of Rome with the Castel Sant 'Angelo, the Ponte Elio and the Centaurs Aristens and Pappias, Pen and brown ink, brush and brown and gray watercolor on white laid paper, Horizontal rectangle. Palaces with porticoes and

Embroidered picture, Medium: silk. Technique: satin stitch embroidery, chenille embroidery, and watercolor., Chenille and silkwork landscape picture with painted sky and water worked in silk floss and chenille yarns in various browns, greens,

Study of landscape, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, graphite on paper, Sketch of a farmhouse with mountains in the background., USA, ca. 1855, landscapes, Drawing, Drawing

Painted Decoration for a Chapel or Hall, Black and brown ink, gray wash, watercolor, and graphite on paper, Two halves of the ceiling and the top part of the wall with two halves of a window are show. Stripes and panels as decorations. The left

Design for a Triumphal Arch in Honor of the Polish General Skrzynecki, Josef Georg Kornhäusel, Austrian, 1782 - 1860, Brush and watercolor, pen and ink, graphite on blue paper, Horizontal format architectural design for a triumphal arch, an

Mechanically-Operated Cylinder-Top Secretary Desk, Pen and black ink, brush and watercolor on paper, A cylinder-top secretary bookcase, with marquetry decoration; elevation and combined side elevation and section, showing mechanical arrangement

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