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Domenico Beccafumi: Abraham sacrifices Isaac, detail of the floor in the Cathedral of Siena, albumin paper, black and white positive process, image size: height: 25, 40 cm; width: 19, 00 cm, SIENA - Cattedrale. Abramo che sacrifice Isacco,
Carter & Pratt, Charles Rennie Mackintosh, Glasgow Institute of the Fine Arts, paper, lithography, total: height: 221, 00 cm; width: 87, 00 cm, signed: u. li. in print in vertical direction: CHAS. R. MACKINTOSH, monogrammed: lower right in
Paolo Lombardi, The marble pulpit in the cathedral of Siena - detail, albumin paper, black and white positive process, sheet size: height: 25.7 cm; width: 20.3 cm, stamp engraving: recto and left: blind stamp: P. Lombardi, Photographer, Siena,
Wilhelm Weimar, Milde Zimmer (wall detail), glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: below left: in black ink: 1297, work of applied art (wood, z. B. panelling), work of applied art
Martin Engelbrecht, Siegmund Richter, garden parterre, copperplate engraving, etching, sheet size: height: 38, 30 cm; width: 22, 80 cm, signed, numbered and inscribed in the plate: Sigmund Richter inv. et del./ Cum Pr. Sac. Caes. Maj, Mart.
Giorgio Sommer, Museo di Napoli - Torso di Venere, albumin paper, black and white positive process, image size: height: 25.50 cm; width: 20.50 cm, inscribed: recto u. exposed: 1219 [? illegible] MUSEO DI NAPOLI di Venere, inventory, sculpture,
Wilhelm Weimar, altarpiece with crucifix, Church of St. Salvatoris, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left : in black ink: 167, photography, church decoration, Christ on
Portrait of the Empress Faustina Maior, property of the Hamburg Art Collections Foundation, marble, chiseled, Total: Height: 46.6 cm; Width: 36.8 cm; Depth: 26.5 cm, sculptures, three-dimensional sculptures, woman, head, face, ruler
George Barber, Meynial éditeur, Paris, Colette. Modes. Introductory text from the fashion almanac Falbalas et Fanfreluches 1923, handmade paper, type printing, line high etching, sheet size: Height: 25.8 cm; Width: 16.3 cm (32.6),
Theodor Bülau, Cathedral, Regensburg. Christ and Mary, standing figures on consoles, Christ on the cross, paper, pencil, pen, ink, drawing, pen and ink drawing, colored, sheet size: height: 35, 3 cm; width: 21, 5 cm, inscribed: recto:
Paolo Lombardi, marble tabernacle in the cathedral of Siena - detail, albumin paper, black and white positive process, sheet size: height: 26.00 cm; width: 20.40 cm, stamp engraving: recto and left: blind stamp: P. Lombardi, Fotografo, Siena,
Léon Vidal, Assiette, paper, photochrome print, image size: height: 22.7 cm; width: 27.2 cm, inscribed: recto: printed above the photograph: Musee National Du Louvre Galerie D'Apollon; below the photograph: Photochromie du Moniteur; Procédé
Minerva (Athena), Etruscan bronze, Museo Archeologico, Florence, albumin paper, black and white positive process, image size: height: 25.00 cm; width: 19.30 cm, FIRENZE - R. Museo Archeologico. Etruscan section. Minerva. (Bronzo.), history of
Wilhelm Weimar, green stove tile with elector's coat of arms from 1622, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left : in black ink: 1725, photography, work of applied art
Armored bust of Emperor Commodus, property of the Hamburg Art Collections Foundation, marble, chiseled, marble, Total: Height: 74.2 cm; Width: 58 cm; Depth: 33 cm, three-dimensional sculptures, bust, bust, historical person, portrait of
Hugo Erfurth, Max Feldbauer, Staatliche Landesbildstelle Hamburg, collection on the history of photography, silver gelatin paper, black and white positive process, image size: height: 67.7 cm; width: 56.5 cm, label: cardboard verso top left:
Fanny Garde, Bing & Grøndahl, Large, double-walled ornamental bowl, Acquired by Bing & Grøndahl at the 1900 World Fair in Paris, porcelain, painted, glazed, underglazed decoration, Total: Height: 14.3 cm; Diameter: 30 cm, signed and
Wilhelm Champés, cabinet, albumin paper, black and white positive process, image size: height: 29.6 cm; width: 20.8 cm, dry stamp: recto and on the cardboard: Photography, by, W. Champés, photography, cabinet, sculpture, plastic,
Karl August Grossmann, sheet 2 from a series of trophies, paper, copperplate engraving, sheet size: height: 25.30 cm; width: 41.10 cm, inscribed: in the plate: Grossmann exc, No: 51st, 2nd, prints, printed matter, symbolic representations,
Jean Carriès, Small ball vase, stoneware, glazed, tin glaze, gilded, Total: Height: 10, 80 cm; Diameter: 10, 60 cm, incised mark: Bottom: incised signature on the bottom: 25 Jean Carriès, Ceramics, Ornamental objects, Art Nouveau
Wilhelm Weimar, plate, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left: in black ink: 2332nd, work of applied art (ceramics
Hugo Erfurth, Dominikus Böhm, Staatliche Landesbildstelle Hamburg, collection on the history of photography, silver gelatin paper, black and white positive process, image size: height: 60.5 cm; width: 46 cm, inscribed: verso o. in the middle:
Poster Art Print Eckert, Theo Matejko, The Nibelungen. 1. film Siegfried, paper, lithography, total: height: 140 cm; width: 96, 5 cm, signed: in print o. r.: Theo Matejko, film posters, film actor, actress, Nibelungenlied
Johann Hinrich W. Hamann, Grey Crane, silver gelatin paper, black and white positive process, Total: Height: 28.00 cm; Width: 20.70 cm, J. Hamann, Hamburg 1, Neustädterstr. 66/68, Atelier für Photographie aller Art, Prämiert Hamburg 1899,
Gustav Heinrich Wolff, Granadina, copperplate engraving, copperplate engraving on thin printing paper, image size: height: 19.4 cm; width: 14.2 cm, monogrammed: recto unten rechts: with pencil: GHW, inscribed: recto unten links: Granadina,
Wilhelm Weimar, vase, glass negative, black and white negative process, total: height: 23, 8 cm; width: 17, 8 cm, numbered: right: in black ink: 2632. work of applied art (metals), containers, ornaments, head, face, mask (mascara),
Amazon or Scythian archer, Bronze, cast, Bronze, Total: Height: 9.6 cm, Small sculptures/small works of art, Three-dimensional sculptures, Amazons, Cavalry, cavalry, cavalry troops, archery (game, sport), Peoples and nationalities,
Heinrich Hamann, Atelier J. Hamann, Johann Hinrich W. Hamann, Winter Pleasure on the Outer Alster, Hamburg, collodion paper, black and white positive process, total: height: 9.00 cm; width: 18.40 cm, dry stamp: recto u. l.: J. Hamann,
Wilhelm Weimar, jug, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left : in black ink: 1452, work of applied art (ceramics), ornaments, animals as ornament, container (ceramics):
Painter of the White Caps, Hydria (shoulder: robbery of Persephone, body: Naiskos with young woman), property of the Hamburg Art Collections Foundation, clay, painted (ceramic), quickly turned, alternately fired, clay, turned and painted,
Gustav Heinrich Wolff, Muse (design for the monument of the poetess Comtesse de Noailles), drawing paper, drawing charcoal, drawing, charcoal on drawing paper, total: height: 33, 9 cm; width: 26, 4 cm, dated: verso and left: with pencil: Febr.
Wilhelm Weimar, ginger pot (Japan), glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left. : in black ink: 234, photography, arts and crafts, industrial design, container (ceramics):
Heinrich Hamann, Atelier J. Hamann, On the introduction of Swedish gymnastics for women. Exercises at the bench in the new gymnastic clothes, silver gelatine paper, black and white positive process, Total: Height: 12, 20 cm; Width: 17, 60 cm,
Vilh. Søborgs Eftfs. Etabl, Paul Fischer, Chainless Cycle Co. Jorck's Passage. Cycler uden Kæde, Copenhagen, lithography, Total: Height: 59, 50 cm; Width: 85, 00 cm, signed: u. li. in print: Paul Fischer, Product advertising (posters),
George Barbier, Meynial éditeur, Paris, La Gourmandise, from the fashion almanac Falbalas et Fanfreluches 1925, handmade paper, opaque watercolor, etching, stencil printing (pochoir), pochoir and etching, sheet size: height: 25.4 cm;
Fountain in marble and mosaic, Casa della Fontana Grande, Pompeii, albumin paper, black and white positive process, image size: height: 22.10 cm; width: 18.50 cm, Ed. Alinari P. 2. N°. II355. POMPEI - Fontana in marmo e mosaici, nella Casa
Alf Wallander, Rörstrand Porzellan- und Fayencenmanfaktur, Vase Red Clover, Acquired by S. Bing, Galerie L'Art Nouveau at the world exhibition 1900 in Paris, Porcelain, Hart fire painting, Total: Height: 12, 30 cm; Diameter: 7, 50 cm,
Wilhelm Weimar, bowl (reproduction of a fake), glass negative, black and white negative process, total: height: 23, 8 cm; width: 17, 8 cm, numbered: right: in black ink: 2632, a, work of applied art (metals), animals as ornament
Josef Wlha, 1220 Innsbruck, Hofkirche, albumin paper, black and white positive process, image size: height: 25.00 cm; width: 20.10 cm, inscribed: recto and: exposed: Josef Wlha, photographer, Vienna 1220 Innsbruck, Hofkirche Déposé;
George Barbier, Meynial éditeur, Paris, La Toilette Délicieuse, from the fashion almanac Falbalas et Fanfreluches 1922, handmade paper, non-opaque watercolor, etching, stencil printing (pochoir), pochoir and etching, sheet size: height:
Wilhelm Weimar, Servatius plate with the motif Servatius transfers relics from Tongern to Maastricht, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left in black ink: 2469th, work of
S. Lankhout & Co, Jaques Zon, Delftsche Slaolie (Delft Nederlandsche Oliefabriek), lithography, total: height: 182, 6 cm; width: 68, 5 cm, signed: u. r. in print: J. ZON, product advertising (posters), woman, nutrition, food, oil, vinegar,
Paolo Lombardi, wooden pilaster at the Istituto di Belle Arti, Siena, albumin paper, black and white positive process, sheet size: height: 26.00 cm; width: 20.00 cm, stamp engraving: recto and left. Blind stamp: Lombardi, Photografo, [Siena],
Wilhelm Weimar, ivory relief with portrait of an gentleman, glass negative, black and white negative process, total: height: 17.8 cm; width: 12.8 cm, numbered: top left: in black ink: 8. photography, work of applied art (bone, ivory),
Copeland & Day, Elkin Mathews & John Lane, Aubrey Beardsley, Salome. A Tragedy in One Act by Oscar Wilde, illustrated by Aubrey Beardsley, line etching, total: height: 20.80 cm; width: 15.00 cm, Beardsley logo: three vertical strokes, under
Wilhelm Weimar, sculpture torso, glass negative, black and white negative process, total: height: 23, 8 cm; width: 17, 8 cm, numbered: left: in black ink: 2505. sculpture, sculpture, sculptures, sculpture art, male nude, torso
Wilhelm Weimar, gravestone, church St. Nikolai, Billwerder, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left : in black ink: 2343, photography, tombstone, gravestone, grave plate,
Wilhelm Weimar, Tobias Truhe, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left: in black ink: 211, trunk, box, box, Old Testament, wood (building materials), work of applied art
Wilhelm Weimar, carving (detail of a piece of furniture), glass negative, black and white negative process, total: height: 23, 8 cm; width: 17, 8 cm, numbered: top left: in black ink: 1836, work of applied arts (wood, z. e.g. panelling),
Hugo Erfurth, Mrs. Hettner, Staatliche Landesbildstelle Hamburg, collection on the history of photography, silver gelatine paper, black and white positive process, image size: height: 30, 5 cm; width: 23, 2 cm, signed: recto o. right: in lead:
Heinrich Hamann, Atelier J. Hamann, Johann Hinrich W. Hamann, Afrikahaus, Hamburg, silver gelatin paper, black and white positive process, Total: Height: 18, 00 cm; Width: 24, 00 cm, Stamp: verso lower right: Atelier für Photographie aller
George Barbier, Meynial éditeur, Paris, L'Oiseau Cheri, from the fashion almanac Falbalas et Fanfreluches 1922, handmade paper, non-opaque watercolor, etching, stencil printing (pochoir), pochoir and etching, sheet size: Height: 24, 8 cm;
Gustav Heinrich Wolff, Sitting figure (draft for a sculpture), drawing paper, drawing charcoal, drawing, charcoal on drawing paper, Total: Height: 13, 1 cm; Width: 20, 3 cm, drawing, graphics, Sketches, draft drawings, sitting figure,
Heinrich Hamann, Atelier J. Hamann, Johann Hinrich W. Hamann, Parthie vor den, Ohlsdorfer Friedhof Hamburg, silver gelatin paper, black and white positive process, Total: height: 12.60 cm; width: 17.60 cm, Stamp: verso and right: J. Hamann,
Georg Böttger, art exhibition building, Munich, Germany, albumin paper, black and white positive process, image size: height: 14, 90 cm; width: 20, 40 cm, architectural photography, architecture, facade , house, building, column, pillar
Wilhelm Weimar, Abendroth-Haus, Hamburg, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: left: in black ink: 2402. photography, interior decoration (of a house), sculpture, plastic,
Wilhelm Weimar, filling credenza cabinet, glass negative, black and white negative process, total: height: 23, 8 cm; width: 17, 8 cm, numbered: top left: in black ink: 1505, work of applied art (wood, z. As a trained engraver and graduate of
Heinrich Hamann, Atelier J. Hamann, Johann Hinrich W. Hamann, Chilehaus, Hamburg, silver gelatin paper, black and white positive process, Total: Height: 12, 00 cm; Width: 17, 50 cm, in lead: Chile Haus, seen from, Atelier für Photographie
George Barbier, Meynial éditeur, Paris, La Luxure, from the fashion almanac Falbalas et Fanfreluches 1925, handmade paper, non-opaque watercolor, etching, stencil printing (pochoir), pochoir and etching, sheet size: height: 25 cm; width:
Wilhelm Weimar, top view of a bowl (reproduction of a fake), glass negative, black and white negative process, total: height: 23, 8 cm; width: 17, 8 cm, numbered: right: in black ink: 2631, b, work of applied art (metals), animals as ornament
Heinrich Lefler, Paul Conström's Verlagsanstalt und Druckerei, Kunstanstalt S. Czeiger, Anniversary Art Exhibition of the Cooperative of Fine Artists Vienna Künstlerhaus and Musikvereinsgebäude, Vienna 1898, Lithography, Total: Height: 64,
Albert Heinecke, KPM Königliche Porzellanmanufaktur Berlin, bottle vase, porcelain, glazed, Total: height: 17.80 cm; diameter: 8.70 cm, porcelain mark: underside: on the bottom in underglaze blue: sceptre mark of the Königliche
Gustav Heinrich Wolff, Das Opfer am Grabe, Japan paper, woodcut, woodcut on Japan paper, image size: height: 12, 2 cm; width: 22 cm, estate stamp GUSTAV H. WOLFF NACHLASS on verso and illegibly inscribed with pencil, free graphic art
Martin Engelbrecht, Siegmund Richter, Ein Schneckenberg mit einem Labyrinth, copperplate engraving, etching, sheet size: height: 37, 80 cm; width: 22, 10 cm, signed, numbered and inscribed in the plate: Sigmund Richter inv. et del, Cum Priv.
Union Deutsche Verlagsgesellschaft, Ludwig Berwald, Albrecht Wirth, Im Wandel der Jahrtausenden. A world history in words and pictures, paper, linen fiber, embossed, gold-embossed linen cover, total (book cover): height: 34.5 cm; width: 27.5
Madonna in the Grotto with Saints and Angels, Galleria degli Uffizi, Florence, albumin paper, black and white positive process, image size: height: 19, 30 cm; width: 25, 00 cm, title very pale and almost illegible copied below the photograph:
general view of the floor in the Cathedral of Siena, drawn 1884 by Giovanni Paciarelli, Museo dell'Opera della Cattedrale, Siena, albumin paper, black and white positive process, image size: height: 25.20 cm; width: 19.40 cm, SIENA - Museo
treasure find from Palaiokastron - appliqué in the shape of an eros with cithara and plectrum, gold, chased, gold, total: height: 1.8 cm; width: 1.85 cm; weight: 0.74 g, body jewelry, vestment jewelry, history of Cupid, Cupid (Eros),
Maximilian Liebenwein, Albert Berger, Neuquell, paper, chromolithography, total: height: 60, 5 cm; width: 50, 8 cm, monogrammed and dated: in print: ML 1907, product and business advertisement (posters), horse, saint, George, dragon fight
Paolo Lombardi, The high altar in the Church of Santa Maria in Portico a Fontegiusta, Siena - detail, albumin paper, black and white positive process, sheet size: height: 25.70 cm; width: 19.50 cm, inscribed: recto on the cardboard:
Wilhelm Weimar, trunk, glass negative, black and white negative process, total: height: 23, 8 cm; width: 17, 8 cm, numbered: top left: in black ink: 1840th, work of applied arts (wood, e.g. paneling), Ornaments, Adam and Eve in Paradise,
Handle mirror (Athena, Hebe and Zeus), cast, engraved, bronze, Total: Height: 32.5 cm; Diameter: 17.6 cm; Height: 11.4 cm ((handle)); Weight: 475.5 g, Early Hellenistic, The Early Hellenistic Etruscan handle mirror is cast in one piece. It
Wilhelm Weimar, showcase with metal craft objects from Hamburg, exhibition, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left: in black ink: 2782. work of applied art (metals),
Wilhelm Weimar, wine jug, St. Michaelis Church, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left. : in black ink: 836, photography, work of applied art (metals), jug (drinking
Domenico Beccafumi, part of the frieze around the representation of the history of Moses, detail of the floor in the Cathedral of Siena, albumin paper, black and white positive process, image size: height: 19, 70 cm; width: 25, 10 cm, SIENA -
Domenico di Niccolò del Coro, Tondo with King David as psalmist with musicians, detail of the floor in the Cathedral of Siena, albumin paper, black and white positive process, image size: height: 25, 50 cm; width: 19, 10 cm, SIENA -
Heinrich Hamann, Atelier J. Hamann, Zwei Turner am Bock, silver gelatin paper, black and white positive process, sheet size: height: 12, 80 cm; width: 9, 00 cm, stamp: verso and right: Atelier für Photographie aller Art, Prämiert Hamburg
Wilhelm Weimar, bowl (front), glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left: in black ink: 2015, a, work of applied art (ceramics), which he linked to a slip box that filed the
Martin Engelbrecht, Siegmund Richter, title page of the third series of Different Genres New Tears and preparatory drawings, as in beautiful gardens Graceful Pleasure Pieces, and Flower-Bethe to create, woodcut, sheet size: height: 36, 60 cm;
Paolo Lombardi, The high altar in the church Santa Maria in Portico a Fontegiusta, Siena, albumin paper, black and white positive process, sheet size: height: 34, 00 cm; width: 25, 20 cm, stamp engraving: recto u. l.: blind stamp: P. Lombardi,
spear bearer, antique bronze, Museo Nazionale, Rome, albumin paper, black and white positive process, image size: height: 25, 20 cm; width: 19, 20 cm, ROMA - Museo Nazionale. Un Lottatore. (Bronzo antico.), standing male nude, spear,
Eugène Feuillâtre, box in the shape of a poppy seed capsule, silver, enamel, chased, welded, engraved, hallmarked, enameled, gilded, patinated, silver, enameled and gilded, Total: Height: 5, 5 cm; Diameter: 8, 8 cm, Stamp: on the
Alfred Stieglitz, Gertrude Käsebier, Blessed Art Thou Among Women, Sammlung Juhl, Papier, Heliogravüre, Bildmaß: Höhe: 23, 7 cm; Breite: 14, 2 cm, beschriftet: recto: u. re. auf dem Bildträger (Passepartout) in Blei: Gertrude Käsebier,
Jean Laurent, Seville. Patio de la casa de Pilatos - Rincon y etstátua de la diosa Palas, albumin paper, black and white positive process, image size: height: 25 cm; width: 33, 3 cm, inscribed: recto u.: exposed: SEVILLE. 1409. patio de la casa
Heinrich Hamann, Atelier J. Hamann, Johann Hinrich W. Hamann, staircase, silver gelatin paper, black and white positive process, total: height: 29, 50 cm; width: 23, 70 cm, dry stamp: recto u. l.: J. HAMANN, Hamburg, J. Hamann, Hamburg 1,
Imprimerie F. Champenois, Alfons Mucha, Salon des Cent - XXme Exposition du Salon des Cent, paper, lithography, total: height: 63, 6 cm; width: 43, 2 cm, signed: im Druck u. li.: Mucha, exhibition posters, woman, female nude, lock, tuft,
Clément Massier, vase, faience, underglazed decoration, glazed, total: height: 14, 10 cm; diameter: 12, 50 cm, monogrammed and dated: on the floor: painted in yellow on the glaze: C.M 1888, ornamental objects, floral ornaments, art nouveau
László Gábor, Secession Graphische Kunstanstalt, Österreichischer Werkbund, Lithography, Total: Height: 95, 5 cm; Width: 63 cm, signed: top left in the motif in the print form: Gábor, artist posters, image posters, art/culture (posters),
Gustav Heinrich Wolff, Standing on pedestal, pencil, parchment, drawing, pencil on parchment, Total: Height: 21.9 cm; Width: 17.5 cm, unmarked, sketches, outline drawings, drawing, graphics, standing figure, female nude, sculpture,
René Vincent, Peugeot, Lithography, Total: Height: 117, 5 cm; Width: 157, 5 cm, signed: recto top right in the printing form: Renee Vincent, product advertising (posters), car, automobile, African, folk costume, regional costume, fashion,
Heinrich Hamann, Atelier J. Hamann, Johann Hinrich W. Hamann, Turner-Massenquartier, Deutsches Turnfest in Frankfurt, silver gelatin paper, black and white positive process, Total: Height: 9, 40 cm; Width: 19, 50 cm, titled: verso:
Johann Weber, Art. Institute Orell Füssli, Bernese Oberland. Thunersee-Bahn, paper, chromolithography, total: height: 98 cm; width: 61, 3 cm, signed: u. li. in print: J. Weber, tourism posters, mountains
Gustav Heinrich Wolff, Odysseus unterm Widder, Japan paper, woodcut, woodcut on Japan paper, image size: height: 14 cm; width: 16, 5 cm, estate stamp GUSTAV H. WOLFF NACHLASS on verso and illegibly inscribed with pencil, free graphic art
Wilhelm Weimar, Innenhof, glass negative, black and white negative process, Total: height: 23, 8 cm; width: 17, 8 cm, numbered: right: in black ink: 750, museum, 6400 slides, including art reproductions of his own holdings, foreign objects,
Johann Weber, Art. Institut Orell Füssli, Peter Balzer, Directe Zugsverbindungen Wien-Triest, paper, chromolithography, total: height: 113 cm; width: 75, 5 cm, inscribed: u. l. in the printing form: Drawn by J. Weber & P. Balzer, tourism
Christoph Reisser's sons, Alfred Keller, Böcklin. Hagenbund, lithograph, total: height: 94, 50 cm; width: 34, 00 cm, signed: u. li. in print: Keller, u. r. in print: CHRISTOPH REISSER'S S SÖHNE, VIENNA V, exhibition posters, plant
Martin Brothers, Robert Wallace Martin, vase, stoneware, glazed, Total: height: 23, 50 cm; width: 9, 00 cm; depth: 9, 00 cm, inscribed and dated: on the bottom: incised mark: Martin Brothers, London Southhall, 2 - 1904, decorative objects,
George Barbier, La Bénédiction Paternelle, from the fashion almanac Falbalas et Fanfreluches 1924, purchased with funds from the Campe'schen Historische Kunststiftung, handmade paper, non-opaque watercolor, etching, stencil printing
Caby & Chardin, Maurice Lourdey, S. Schwarz, Fanfan la Tulipe, paper, lithography, total: height: 160 cm; width: 116 cm, signed: u. r. in print: Lourdey, product and business advertising (posters), art/culture (posters), cavalry, cavalry
Heinrich Hamann, Atelier J. Hamann, Johann Hinrich W. Hamann, topping-out ceremony of the Neue Halle, silver gelatin paper, black and white positive process, Total: Height: 8.40 cm; Width: 11.00 cm, J. Hamann, Hamburg 36, Valentinskamp, 41,

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