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Study of a Gentleman with Three Dogs, Hunting, Henry Bernard Chalon, English, 1770 - 1849, Graphite on paper, A gentleman is shown at right in profile, walking toward left and carrying a gun. Two dogs are in front of him, two of them turned

Design for the decoration of a panel, Black chalk, pen and ink, brush and rose and black watercolor on paper, In the center are two female half-figures, from which rinceaux spring. They support a torch-like blossom. Rectilinear framing line

Three sepulchral monuments, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Two steps lead up. Urns with flames stand at the corners of the upper one. Two women lean upon a

Two Knights in Armor Confronting a Crocodile and a Boar, Fortunato Duranti, Italian, 1787 - 1863, Pen and brown ink on white paper, Two knights in armor riding horses in right foreground confront a beast standing in left middle ground. Beast

Cottage Scene, Charles Nicolas Ransonnette, French, 1793 - 1877, Pen and ink, graphite, brush and color wash, brush and Chinese white on thin yellow paper, mounted, Thatched-roof cottage as central subject. Three trees are prominently seen

Designs for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash off-white laid paper, lined, Various designs for ceiling decoration with rosettes, putti, and monogram, among other elements.,

Stage Design of the Ruins of an Antique Building, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, View of ruins of antique building toward arch of ruins., Italy, early 19th

Study: The right hand of a man around a stick, Black, red and white crayons on brown paper, Vertical composition of a man's right hand holding a stick. The beginning of the forearm is shown in the lower left., Italy, 1700–1750, figures,

Design for an Overdoor, Piat Joseph Sauvage, French, 1744 - 1818, Pen and ink, brush and bistre wash on paper, Allegory of architecture includes three putti measuring and rendering a capital of a ruined temple., Netherlands, 1785-1790,

Steeples, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Shown is the upper left half of the façade. The steeple has the shape of an open pavilion with a dome. Beside stand two

Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of 1938-88-1309. At the corners of the steps are the relevant motifs

Design for the Decoration Above a Mirror, Noble Cabinet, Palazzo Altieri, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, A variation of 1901-39-1371. Below the medallion with Vestal

Spoons, Pen, sepia, brush, gray water color, At the transition of the bowl into the handle, on the front, is the head of a woman. The handle is terminating in a herm representing the figure of a woman., Italy, 1825–50, tableware designs,

The Virgin and Child with an Angel, Fortunato Duranti, Italian, 1787 - 1863, Graphite, impressed lines on paper, The Virgin kneels upon a base, seen from the front. She is supporting the Child together with an angel standing at left, one foot

Elevation of a Proposed Mausoleum, R. H. Robertson and R. Burnside Potter, Architects, American, Brush and watercolor, graphite on heavy board, A view of the approach to the chapel from within the court., New York City, New York, USA, ca.

Monument for a poet, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and gray wash on beige laid paper, A sarcophagus which is topped by a stream god stands on a platform. Children with attritbutes of poetry sit before its

Rome Taken from the Gauls, Arinaud Charles Caraffe, 1762 - 1820, Black crayon, pen and ink, brush and watercolors, white heightening on blue paper, A Gaul is shown pulling the beard of an old Roman seated in front of the closed door of a

Design for the Embroidery Field of a Man's Coat of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, Four turnips and an onion plant are disposed in three oblique rows., France, ca. 1785,

The Holy Family and a Female Saint, Fortunato Duranti, Italian, 1787 - 1863, Graphite on paper, A saint virgin sits at right, on the ground, seen in profile. The Child is taken from her lap by the Virgin, who sits in the center, the wash

Candlestick, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Candlestick., Rome, Italy, 1746–1809, metalwork, Drawing, Drawing

Design for a Sepulchral Monument of King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, The base has some steps, with small lateral parts in masonry. The structure has an oblong sockle and

The Holy Family, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia on paper, Open country. The Virgin kneels toward the left, the Child stands beside her at left. She intends to lift him up. Behind the child is Joseph.

Design for the Embroidery of a Man's Waistcost, No. 490 of the Fabrique de St. Ruf, Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, Left bottom corner with obliquely rising bottom edge. Hedges form gates and an arch

Recto: Triumphal Arch, possibly for the Entry of Ferdinand I de' Medici into Pisa in 1588; Verso: Judith with the Head of Holofernes, inscription relating to contract signed in December 1587 for the production of 26 illustrations for Dante's

St. George and the Dragon, Fortunato Duranti, Italian, 1787 - 1863, Pen and bistre ink, brush and wash on paper, The saint is in full armor, he is shown on a rearing horse, facing right. He raises his spear to strike the dragon, left. Three

Sarcophagi, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Two left halves of the elevation are shown. At left: a bathtub form supported by gaines with heads as capitals. At right:

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, A row of plants consisting of six leaves and six seed boughs. Six repeats

Portico at Entrance of Theatre at Brescia, Pen and bistre ink, brush and sepia wash on paper, Horizontal rectangle. Portico of theatre at Brescia from inside, figures standing in groups., Italy, early 19th century, theater, Drawing, Drawing

Sketches, Angels and Female Figures, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash on paper, Sketches, Angels and Female Figures. At center, the most complete sketch features kneeling woman in classical garb with

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Design for Ceiling Decoration., Rome, Italy, 1746–1809, interiors, Drawing,

Design for Four Window Frames, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The left sides are shown. At left: Windows of the ground floor and basement; beside the latter a kind

Seated boy playing a lute, Elihu Vedder, American, 1836 – 1923, Pastel crayon on paper, Young male figure seated on a bench, turned slightly to the right, playing a lute., USA, ca. 1890, figures, Drawing, Drawing

Decoration of a frieze, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Decoration of a frieze., Rome, Italy, 1746–1809, architecture, Drawing, Drawing

Presentation of a Chest, Italy, 16th-19th centuries, Drawing, Drawing

Two knobs, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Two knobs., Rome, Italy, 1746–1809, metalwork, Drawing, Drawing

The Retreat, Victor Vincent Adam, 1801–1866, Pen and ink, brush and sepia wash, brush and Chinese white on paper, Arabs on horseback fleeing toward left. At right, a group of soldiers., France, 1835-1840, Drawing, Drawing

Design for a Brooch, Pen and black ink, brush and gray watercolor on off-white laid paper, Jewelry design for a brooch. Design takes shape of a knot, the ribbons of which are patterned with blossoms and spheres, accented by a central rosette

Two Designs for Earrings, Pen and ink, brush and gray, olive watercolor on wove paper, Jewelry design for earrings. The left one is marked with the number '1.' Similar to 1938-88-5342 but with a double-sloped ring and one kind of diamond. Number

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. The central part has the transitional form from the knot to the wings, here done with flower stems. The usual scheme of a

Elevation of a Town Mansion, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A rustic colonnade of three and a half arches is in the ground floor. The first intercolumnar space is

Design for Wall Decoration, Blue (South) Drawing Room, Royal Pavillion, Brighton, Frederick Crace, English, 1779–1859, Brush and watercolor over graphite on white wove paper, Vertical rectangle. Design for the Royal Pavilion, Brighton. A

Design for a Pitcher, Pen and ink, brush and wash on paper, Vertical rectangle showing design for a pitcher in the antique style., Italy, 1800–1830, ornament, Drawing, Drawing

Study: Three left hands, Black crayon and white heightening on grey paper, Vertical composition of three left hands. A) Two left hands shown upright from the outside with erected thumbs. The beginning of a woman's forearm is shown at the bottom

Gallery, possibly the Glass Passage, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Pen and blue ink, brush and watercolor, graphite on white wove paper, Perspective view of a narrow passageway, with an opening at the far

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring in the shape of a fantastic pavilion. Below five drops, with lambrequins (decorative drapery) above in the intervals. In the

Palace, Exterior View, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Palace, Exterior View., Rome, Italy, 1746–1809, architecture, Drawing, Drawing

Design for a Baptismal Font, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The circular bowl is supported by lion feet, two are visible upon two plinths. From the feet rise

Lunette with Music and Poetry, Felice Giani, Italian, 1758–1823, Pen and dark brown ink on cream laid paper, Apollo seated upon shawl against which quiver leans and plays lyre. Table with opened book stands at right., ca. 1800, figures,

Chair, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Above is the chair, seen from the front, the legs and the fore part of the arm being omitted, at right. The seat is upholstered.

Design for a Sepulchral Crest or Timepiece, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Design for a Sepulchral Crest or Timepiece., Rome, Italy, 1746–1809,

Wall decoration; console table, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Wall decoration; console table., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Elevation of a Town Mansion, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white paper, Wings of three bays and three stories each are connected by a central section having two stories. Eight

Round table, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Round console table., Rome, Italy, 1746–1809, furniture, Drawing, Drawing

Design for Berlin Wool Work, W. Gabbe Nieder, Brush and gouache on pre-printed squared paper, A band of roses and leaves on graph paper., Germany, ca. 1860, textile designs, Drawing, Drawing

Stage Design, Seaport, Pietro Narducci, Italian, active 1809 - 1841, Pen and bistre ink, brush and sepia wash on paper, Horizontal rectangle. Seaport with many figures in foreground, boats approaching shore in background, building at left.,

The Assumption of the Virgin, Fortunato Duranti, Italian, 1787 - 1863, Graphite on paper, The Virgin sits upon clouds, with outstretched arms, conveyed to Heaven by angels; two cherubim looking on. Below is the sarcophagus into which two

Initial Frame, Homer Wayland Colby, American, 1874–1950, Charles Scribner's Sons, New York, New York, USA, Black ink on paper, A symmetrical design of flowers and leaves. Blank frame for initial, center., USA, ca. 1910, graphic design,

Sketch, Sycamore, Santa Barbara, California, Samuel Colman, American, 1832–1920, Black crayon, pen and dark ink, brush and brown watercolor wash on light cream paper, The lower parts of two trees, turning away from each other, are

Encaenia in the Sheldonia, Thomas Uwins, 1782 - 1857, Brush and watercolor, graphite on paper, Encaenia in the Sheldonia, OXFORD, England, England, 1814, interiors, Drawing, Drawing

Console table, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Design for a console table., Rome, Italy, 1746–1809, furniture, Drawing, Drawing

The Virgin and Child, Fortunato Duranti, Italian, 1787 - 1863, Graphite on paper, The Virgin sits behind a parapet, seen from the back, her head turned toward her left shoulder. Her left hand is resting in her right armpit, her right hand at

Frame, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Frame., Rome, Italy, 1746–1809, architecture, Drawing, Drawing

Page of a sketchbook; Elevation of Palace, Annunciation, Last Supper, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown ink, brown wash on off-white laid paper, Vertical rectangle. Verso, at left: A house of three

Design for a Chimneypiece, Graphite, pen and ink, brush and watercolor on paper, A variation of the design of 1938-88-8206. The rinceaux spring from a palmette of ears of grain, with birds sitting beside. Shadow, background, base line, scale

Design for a Brooch, Pen and ink, brush and sepia wash on light brown paper, Jewelry design for a brooch. An escutcheon is formed by interlaced ribbons with rows of round diamonds. Outside and inside are large round diamonds. In the center, a

Monument of King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of 1938-88-1302. The lower part of the structure is also circular. The doorcase at

Scene in the Clouds with Putto and Doves, Pietro da Cortona, Italian, 1596 - 1669, Red chalk on paper, Scene in the clouds with putto and doves., Italy, ca. 1632, Drawing, Drawing

Design for a Processional Cross, George E Germer, 1868 – 1936, Graphite, brush and yellow, orange watercolor on paper, In Gothic manner, with the symbols of the Evangelists similar to 1939-84-6 B. A knob, and the top of a staff, are at the

Two doorknobs, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Two doorknobs., Rome, Italy, 1746–1809, metalwork, Drawing, Drawing

The Panther Trap, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown ink, brush and brown wash on off-white laid paper, Horizontal rectangle. Three panthers spring at two bowls with excrements either hanging at a tree. A

Design for a Comb, Crayon, pen and ink on paper, Seventeen tines springing from a metal band. The crest boarder is composed of round diamonds in various sizes. Six drop-shaped stones above, in the intervals between the circles, forming a row

Three chalices, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, At left: the foot is decorated with two cherubim. The stem is a floated baluster. The lower part of the bowl is

Study of foliage, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of a tree with foliage., USA, 1865–1870, nature studies, Drawing, Drawing

Design for Two Embroidered or Woven Borders of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, At left: a vertical row composed of a unit shown five times: a leaf with three seeds

Entrance wall of a salon, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Entrance wall of a salon., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Design for a Bed Alcove, Perspective, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Another suggestion for the same problem dealt with in 1901-39-1494. The elevation of the

Frame, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Frame., Rome, Italy, 1746–1809, architecture, Drawing, Drawing

Elevation of a church, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Design for a Print with Twenty Theatrical Costumes Worn in Paris Performances, Victor Vincent Adam, 1801–1866, Graphite, brush and watercolor on light brown paper, The figures are copied from prints. The captions are written ion ink. Top row:

Man and dog on bench, Sebastian Buff, Swiss, 1829–1880, Graphite on paper, Recto: A portly man, holding an umbrella under his arm, seated on a bench with an equally portly dog, whom he is made to resemble., Verso: Ornamental designs.,

Houses on the Bank of the Tougnes in Trouville, Eugène Edouard Soulès, French, 1811–1876, Graphite, black crayon on paper, mounted, A group of mansions at right. Stately structures and a steeple are in the background beyond the water.,

Strapwork Design, Graphite, pen and ink, brush and watercolor on paper, Design for vertical panel with strapwork and sphinxes., France and Italy, ca. 1650, architecture, interiors, Drawing, Drawing

Project for a Tented Alcove, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Tented alcove. The central portion is circular. Two gatherings of drapery form and entryway. The roof is pointed, with a cresting of feathers.

Design for a Pendant, Pen and ink on paper, A mermaid with a bifurcated tail blows on a shell, suspended from a ring by two chains, one on the wrist and the other on a tail., Italy, 1840–70, jewelry, Drawing, Drawing

Design for Sculpture: Angel in Adoration, Leonardo Scaglia, French, active Italy, 1640 – 1650, Pen and brown ink, gray wash on white laid paper laid down on white laid paper, Upon a rough base, shown from the right angle of the front; the

Chairs, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, In the center is an armchair, seen from the front, with upholstered seat and oval back. The supports of the arms have

Design for a Diadem, Pen and ink, brush and sepia wash on light brown paper, Jewelry design for a diadem (small crown or tiara). Above a band are two bigger and, outside, two smaller volutes, with the scrolls bending upwards; those are

Elevation of a funeral chapel, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, The plan of the chapel is a square with a dome. The upper part of the front wall follows the

In a Country Town, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and brown wash on paper, A winding road is shown in the first plane with a man walking on it. The doorway and buildings of a great farm are at left, a group

Seated Older Figure with Standing Younger Figure, Pen and ink, brush and wash, brush and oxidized white heightening on paper, Seated Older Figure with Standing Younger Figure., Italy, 17th–mid- 19th century, Drawing, Drawing

Stage Designs: Detail of Gothic Interior, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Some columns supporting huge vaults in crypt-like building., Italy, early 19th century,

Steeple in baroque style in the style of Borromini, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Below is a part of an entablature. The scheme of the steeple follows in a general

Study of a Goat, Jean-Baptiste Huët, (French, 1745–1811), Pen and brown ink, brush and brown and gray wash, red-brown watercolor on white paper, ruled border in pen and brown ink, lined, Close up study of a standing bearded, horned goat,

Wall Decoration, Blue (South) Drawing Room, George IV, King of England, English, 1762 – 1830, Brush and watercolor over graphite on white wove paper, Vertical rectangle. Design for the Royal Pavilion, Brighton. A design for a wall panel,

Design for Wall Panel Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for Wall Panel Decoration., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Design for a Woven Fabric, Brush and gouache on oily tracing paper, A fantastical big-sized blossom on an upright stem, directed toward left. The blossom occures in 1909-13-24., France, 1815–1840, Drawing, Drawing

Design for an Embroidered or Woven Corner Motif of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache, graphite on glazed tracing paper, A lace panel in a lyre shape, from the bottom spirals of which leaf

Plan of a Bastion, Giuseppe Barberi, Italian, 1746–1809, Pen and gray ink, red ink on off-white laid paper, Below, hexagonal plan for hospital or bastion. Above, similar but less finished sketch., Rome, Italy, 1746–1809, architecture,

Woman with a Basket, George Charles Aid, American, 1872–1938, Pen and black ink, brush and grey wash on cream wove paper, A standing woman in a long dress with leg-of-mutton sleeves, and wearing a shawl over head, is seen turned slightly to

Design for a Frieze, Graphite, pen and ink, brush and wash on paper, At center, a smoking brazier with handles. It is supported by festoons tied to torches., Italy, 1820–1830, ornament, Drawing, Drawing

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