Images at Librifly

search results: Drawing clear search

The Virgin and the Child, Fortunato Duranti, Italian, 1787 - 1863, Brush and gray-brown, dark brown watercolor on paper, The Virgin sits on the floor, the right leg outstetched, the left one crossed. She holds a book in her right hand. Upon

Designs for Three Brooches, Giovanni Sebastiano Meyandi, Italian, active 1762 - 1794, Pen and ink, brush and gray, red watercolor on paper, Jewelry designs for three brooches. Above at left, a branch with red cherries and two doves; at right

Mauseoleum Seen From a Colonnade, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, View from within an antique building, in which sculptural monuments are massed still more

study of wrist and left hand, Elihu Vedder, American, 1836 – 1923, black crayon, white chalk on gray-green paper, Woman's hand, palm upturned, rising from lower left., USA, ca. 1890, Drawing, Drawing

Design for the Decoration of a Panel, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, In the scheme of a candelabrum. At left: below is a pedestal with sitting sphinces upon the

A Country House, Charles Nicolas Ransonnette, French, 1793 - 1877, Pen and ink, brush and gray and brown wash on tissue paper, Situated near a road, consisting of two parts in the scheme of a right angle. A ramp leads to the door at the front;

Elevation of a church, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, A variation of 1938-88-1228, main design. The main differences are: high arched windows and square ones are in the

Designs for a Mantelpiece, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Left row, top: in small scale, an entablature is supported by gaines standing in front of pilasters.

Metal frames for Purses, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Top row: a left top corner. From a band in the top center start intertwined vine stems. A left top corner:

Design for a Pendant, Pen and black ink, brush and red, gray watercolor on paper, Jewelry design for a pendant. A knot of ribbon, à jour, with in the center a blossom between two flower stems, is supporting with a red ribbon a knot on top of

An Audience, Domenico Mondo, Italian, 1723 - 1806, Pen and brown ink, brush and brown wash over black chalk on paper, Two figures in foreground and several in the background. The figure at right sits in a chair with a circular back; he looks

Design for Stuart Monument, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The scheme and the sarcophagus are variations of 1938-88-1296. The design begins below with the

Design for a Porcelain Plate, Brewery Interior for the Sevres Industrial Arts Service, Jean Charles Develly, French, 1783 - 1849, Pen and brown ink, brush and brown wash, white gouache, graphite on cream laid paper, lined, Design for a

Design for an Emrboidery Repeat, Pen and ink, brush and gouache on paper, A hanging bunch of flowers, top right, is connected by a leaf garland and a thread with a rising and waxed flower stem., France, 1780–1800, Drawing, Drawing

Possible Design for a Title Page, Fortunato Duranti, Italian, 1787 - 1863, Graphite, impressed lines on paper, Two small girls sit upon the base of a monument and sing, one playing the harp, the other the guitar. The latter sits upon a

Sketch for a Painting: Abduction of a Child, Fortunato Duranti, Italian, 1787 - 1863, Pen and brown ink on paper, A figure with a small child flees in a classical landscape. At left, another figure crouches over a child. Two seraphs in the sky

Design for a Salon, François-Jacques Delannoy, French, 1755 - 1835, Pen and ink, brush and watercolor on paper, A long side wall with a door frame between two wall panels which show grotesque decoration and sofas standing in the central

Design for a Bracelet with Alternate Suggestions, Pen and ink, brush and watercolor on paper, Round blue stones surrounded by smaller ones, forming flowers. Connected by two and three rings with snake heads., Italy, 1825–50, jewelry,

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, Curved flower boughs, three of which are shown, are connected by curved

Design for a Pendant, Graphite, pen and ink, brush and sepia on paper, Architectural escutcheon flanked by term figures. Pair of volute at top. Hanging pearl at bottom., Italy, 16th century, jewelry, Drawing, Drawing

Design for Brooch with Woman in Broken Pedimet, Pen and ink, brush and wash on paper, A woman is seated within a broken pediment, flanked by a pair of volutes and two upright faceted gems. Three pearls hanging below., Italy, 16th century,

Detail of panel of Salon of Louis XIII, Frederick Marschall, Brush and watercolor, tempera on heavy paper, Section of rectangular panel. Left, carved sides. It contains painted decoration: urn divides composition. Left, reclining youth holding

Barges, Graphite, pen and ink, brush and wash on paper, Three barges at the right, near a section of bank. At left is another barge, covered with a canopy., France, 1775–1800, landscapes, Drawing, Drawing

Monument, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The architectural setting is similar to -1255 left, the monument a variation of -1255 right. The relief on the pedestal

Designs for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Several designs for ceiling decoration with geometric elements and some notional scrollwork or

Sketches, The Virgin and Child, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash on paper, Various sketches of the Virgin and Child; that in lower right (perpendicular orientation) being the most complete.

Design for a Salon Wall, Pen and ink, brush and watercolor, black crayon on paper, A wall panel separeted by a pilaster and a window is in the second panel., Italy, 1790, drawing, drawing

Chalice, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Vertical rectangle. The foot is decorated with cherubim above festoons. The stem has the shape of a baluster upon a convex twisted pedestal. Around the

Tablet and an escutcheon, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Below is a rectangularly framed tablet, rising in the center, with a mask in front. Upon it stands an

Sketches, The Virgin Enthroned and the Virgin and Child Enthroned, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash on paper, Sketches. Above, the Virgin Enthroned, below, Virgin and Child Enthroned with classical

Two chalices, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, At left, a variation of 1901-39-1165. 1) The pedestal is decorated with festoons supported by cherubim at the

Design for a Kaffeehaus, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Circular main section of three stories, surrounded in the ground floor by redoubts (in the corners of a

Elevations of a wall, ceiling, mantelpiece, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Elevations of a wall, ceiling, mantelpiece., Rome, Italy, 1746–1809,

A Right Foot, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Sketch of a right foot, obliquely shown., USA, 1880–95, figures, Drawing, Drawing

Les Amateurs de Paysage, Gihaut Frères, French, 1815 - 1871, Eugène Louis Lami, French, 1800 - 1890, Lami-Denozan Libraire, French, active 19th c., Lithograph, brush and watercolor on paper, Three people painting or drawing on a ridge,

Sasint John Preaching, Brush and sepia on paper, mounted, Saint John preaching., Italy, early 18th century, Drawing, Drawing

Pedestal of a column, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, red ink on off-white laid paper, lined, The main part is concave and fluted. In the center of the sides, in front of the flutes, are

Design for a Baptismal Font, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Supported by a shaft with a row of leaves upon an octangonal base of nearly the same diameter.

Design for the Decoration of a Panel, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Military Trophy after Polidoro da Caravaggio, Polidoro da Caravaggio, Italian, 1499 - 1543, Pencil, pen, brush and sepia, brown ink on paper, Horizontal rectangle showing a design for a military trophy. At center, a helmet in the antique

Design for an Embroidered Border of a Man's Waistcoat of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and gouache on glazed tracing paper, Beside a strip, an ovolo and a bead chain at left are oblongs, the buttonholes,

Wall Elevation with Swags and Medallions, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for wall elevation with swags, vegetal motifs, putti, and figural medallions,

Scene in a Temple Dedicated to Athena, Fortunato Duranti, Italian, 1787 - 1863, Bistre pen and ink, brush and wash on paper, At the center of the composition the statue of Athena is shown on a high pedestal, facing the spectator. Group of

Design for a Window, Possibly for Lobby or Vicinity South of Dining Room, Frederick Crace, English, 1779–1859, Brush and watercolor, pen and ink on paper, Vertical rectangle. Design for the Royal Pavilion, Brighton. Design for a section of

Inkstand, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, At center, a woman stands on a columnar pedestal decorated in relief with two putti supporting a medallion of

Design for the Decorations of a Wall Panel, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Designs for a Mausoleum, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Designs for a Mausoleum., Rome, Italy, 1746–1809, architecture, Drawing, Drawing

Cresting of an altar, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, The left side: above an entablature rises a panel framed by a segment. In it, beside a

View of a villa, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Obliquely and incompletely shown. A two-story building is flanked by colonnades of three arches and with statues. Flights

Landscape Sketch, Hyde Manor, Vermont, Samuel Colman, American, 1832–1920, Graphite, pen, brush and blue ink on paper; Verso: Graphite, pen, brown and black ink on paper, Above, view of a hillside, showing isolated trees and a house in

Design for an Alter, Leonardo Scaglia, French, active Italy, 1640 – 1650, Leonardo Scaglia, French, active Italy, 1640 – 1650, Pen and bistre, brush and wash on paper, Elevation of an alter. The left half is shown. The Crucifixion is

Design for ceiling decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Frieze, coved ceiling, probably for the Winter Bedroom in the Altieri., Rome, Italy,

Design for a Carpet, Music Room, Frederick Crace, English, 1779–1859, Watercolor on paper, Horizontal rectangle. Design for the Royal Pavilion, Brighton. A design consisting of an allover pattern of fantastic birds, the intervals filled

Overdoor, Black, red chalk Support: white laid paper, laid down, Pistoia, Italy, Italy, 1730–60, architecture, Drawing, Drawing

Imaginary Landscape with, Frederic Edwin Church, American, 1826–1900, Pen and dark brown ink Support: paper, USA, ca. 1870–73, landscapes, drawing, drawing

The Virgin and Child with Worshippers in Classical Interior, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and wash on paper, The Virgin and Child enthroned with Worshippers in Classical Interior., Rome, Italy, 1820–1850,

Two Representations of Saint Luke Making a Portrait of the Virgin and the Child, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink on paper, As if seen from outside through a window. The Child is in the center, supported by the Virgin; he is

The Virgin and Child, Fortunato Duranti, Italian, 1787 - 1863, Graphite, impressed lines on paper, The Virgin kneels upon her left knee, her hands invitingly outstretched. The Child, recumbent, extends his arms toward her. Behind the Child

Frame, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, An oblong molded frame has in the middle on top and below panels. In the upper one are two circular medallions with

Design for Salon Entrance Wall, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The hall has a barrel vault, three compartments. A half-circular window is in each of them, above

Exterior with Classical Architecture and Figures with Musical Instruments, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash on paper, Exterior with Classical Architecture and Figures with Musical Instruments., Rome,

The Virgin and the Child, Fortunato Duranti, Italian, 1787 - 1863, Graphite on paper, The Virgin sits upon clouds, with the Child standing beside her. She has her right arm around the child and carries in her right hand a bowl, pointing at it

Design for a Hand Bell in Neo-Renaissance Style, Pen and ink, brush and wash, graphite on paper, On a sheet of Chailleat's drawing book. The handle consists of volutes, with the heads up children above. Below, in the interval, are masks. On

Design for the Decoration of Ceiling and Boxes of Ornani Theater, Rome, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Sketch showing decoration of outside of boxes and several

Saint John Preaching, Probably a Page from a Drawing Book, Black chalk, pen and ink, brush and bistre wash, brush and white gouache on paper, Saint John stands at left upon an elevation turned toward right and shown from the right back. The

Candlestick, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, black chalk on off-white laid paper, lined, The lower and the upper half are detailed at left and at right. The entire design is in the middle. The

Decoration in a church, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Decoration in a church., Rome, Italy, 1746–1809, architecture, Drawing, Drawing

Design for an Altar, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper, The sepulchrum stands as a sarcophagus in the hollow of the mensa, framed laterally by panels. In

Sketch, the Virgin with the Child, Fortunato Duranti, Italian, 1787 - 1863, Brush and dark brown watercolor on light gray-brown paper, The Virgin is seen frontally, kneeling on the ground, the suckling Child in her lap. Her left hand crosses

Church of Rolleboise, Eugène Edouard Soulès, French, 1811–1876, Graphite on paper, View of the steeple of the church, rising above the houses. A bridge crosses a small river in the center. Written below at left: Harfleur 1831. On verso, in

Design for a Brooch, Pen and sepia ink, brush and gray watercolor on paper, Jewelry design for a brooch. Two branches, turned to the right, with a knot below, blossoms, and leaves. Two hanging teardrop diamonds., Italy, ca. 1750, jewelry,

Stage Design, Portico, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Portico in the antique style, buildings to be seen through column intervals., Italy, early 19th century, theater, Drawing, Drawing

Two bed canopies, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Two tents with feather flags on top. The right one stands behind the left one and is only partly visible. Both

Sofa, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on beige laid paper, Sofa., Rome, Italy, 1746–1809, furniture, Drawing, Drawing

Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Above at right: the elevation of a tomb structure. In front of the panels beside

Design for Ceiling Decoration, a Barrel Vault, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, A variation of the scheme of -1532 and of -1551, representing a coffered vault.

Classical Scene with Figures, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, black chalk on paper, Classical scene with figures and a beast; a lyre in the background and left, with buildings receding into the distance and a hill rising

Entrance; Wall of a Room, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Doorway for a town mansion, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Vertical rectangle. Executed is the left half. Rustic work. Above is an escutcheon. The

Cottage Scene, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite on tracing paper, mounted, A half-timber house at right, in a clearing. Woods in background. Woman is seated near open door of house; a man stands before her., France,

Two chalices, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, At left: the stem is above a bunch of ears of grain rising from an urn, which is decorated with festoons supported

Elevation of a villa, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Two stories. Receding central section with a portico of four Doric columns and a triangular pediment. Steps

Interior of Ecclesiastical Building, Pen and bistre ink, brush and sepia wash on paper, Horizontal rectangle. Interior of vaulted ecclesiastical building showing stairs and tomb attached to wall., Italy, early 19th century, theater, Drawing,

Design for a Fountain in a Pavilion, Giuseppe Barberi, Italian, 1746–1809, Brush and brown, gray, and black wash, graphite on white laid paper, laid down, The elevation is shown. Groups of four Corinthian columns carry arches. Ovoidal

Design for a Table Centerpiece, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, 'Dresser, ' table center piece for the Altieri family., Rome, Italy, 1790-1795, metalwork,

Composition With Two Figures, Fortunato Duranti, Italian, 1787 - 1863, Pen and bistre ink, brush and wash on paper, In the foreground a nude child (Christ?) is seated, facing left in profile. A low wall is behind him, with a figure looking

Vase with Bucraneum, Pencil, pen and ink, brush and wash on paper, Vertical rectangle showing vase decorated with bucranium and swags., Italy, 1800–1830, ornament, Drawing, Drawing

Fountains and coffee houses, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Left row: two fountains, the upper basins of which are supported by standing figures. Center row: a

Derelict group around a fire, Graphite and pen and ink on paper, A large group of figures in ragged clothing gather around a pot suspended above a fire by a tripod, cooking a meal., Germany, 1820–1830, Drawing, Drawing

Monument of King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Left row, above: the setting is as in 1938-88-1292 right. The sarcophagus is supported upon a

Gateway of a villa, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The gateway is a convex semi-circle consisting of an entablature and five railed gates supported by four gaines

Stage Design: Side Wing, Giuseppe Barberi, Italian, 1746–1809, Pen and bistre on paper, A left side. A garden pavilion, the back wall of which is decorated with a trophy of arms hanging from a head. Framing line except at right., Rome,

Geometric design for printed textile, Louis-Albert DuBois, Swiss, 1752–1818, Brush and gouache, graphite on white wove paper, Tiny red & green pointed trees in pairs, set on the diagonal on a graphite grid, on white ground., France,

Project for a Frieze, Black chalk, pen and ink on paper, Caryatid holding drapery festoons with acanthus leaf scrolling around a goat, at right., Italy, 1550–1600, ornament, Drawing, Drawing

Design for a Canopy Bed, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The opened curtains of the front are supported by two satyr gaines. A drapery connects the curtain. In

Design for the Decorations of Five Pilaster Strips, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Left row: A candelabrum with a base like those in 1938-88-1468. Upon it a griffon

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for Ceiling Decoration., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Pluto and Prosperina, Michelangelo Maestri, Italian, d. 1812, Raphael, (Italian, 1483–1520), Brush and tempera on heavy paper, Pluto, seated with Prosperina on a throne resembling the three-headed Cerberus, holds a triton in his right

Sketch of a Head, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Sketch of a face, framed by hair or cloth, looking halfway to the right., USA, ca. 1895, figures, Drawing, Drawing

Head of a man in the style of Frans Hals, Homer Dodge Martin, American, 1836 - 1897, Pen and bistre ink on light brown paper, Man in large hat looking over left shoulder at spectator. Body outlined to waist., USA, ca. 1860, figures, Drawing,

search results: Drawing clear search